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Shapes and color relationships in my sculptures
and paintings are directly informed by landscape experience:
space, sky, horizon, architecture and hills. The landscape
atmospheres are an opportunity for awareness of where one
stands; the architectural forms are personified and solid.
The contrast between the two is not about conflict, but
about being aware, with a relaxed sense of now.
My newest work is increasingly more curious about the moment.
For example, a small house shape is arranged on its "side"
or included in a stack or arrangement of shapes. In this
case, the reality is about the "small house" as
a sculptural object and its current circumstance. The allusion
to architecture makes the object dreamlike and the test
of circumstance weirder.
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